The beauty of Black digital spaces lies in the work that takes place within and between the communities that occupy them. Quite often, Black communities write on, reckon with, talk about, and organize around the very issues that define and shape people’s everyday experiences. In “Black Feminist Hip-Hop Rhetorics and the Digital Public Sphere,” Regina Duthely (2017) identifies the Crunk Feminist Collective (CFC) as a group of “Black women [who create] radical counterstories and [build digital] community spaces for women to engage in collective resistance to dominant notions of Black womanhood that seek to silence and render them invisible” (p.…
Author: Sarah Bramblett
Constance M. Haywood
Interested in the rhetoric of the eighteenth and nineteenth century and emotional connections to writing, Sarah Bramblett is a PhD candidate in the Rhetoric and Composition program at Georgia State University.