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action or later. Please see Debugging in WordPress for more information. (This message was added in version 6.7.0.) in /home/drcprod/public_html/wp-includes/functions.php on line 6114Review by Stephanie West-Puckett<\/strong> Angela Haas, Illinois State University The Politics of Our Intellectual Interfaces:\u00a0Revisiting the Technological Metaphors We Live and Think With<\/strong><\/p>\n There\u2019s an update available for your operating system, technorhetors, and Angela Haas said you should download it now. Seriously.<\/p>\n Working from a decolonial methodological framework (Smith, 1999), Hass argues that the metaphors we use to talk about technorhetorics are fraught with violence and supremacy, and we must first refuse those discourses to interrupt the patriarchy and hegemony of digital humanities. Taking a critical approach to the use of ecological metaphors, Haas seeks to build on Haywisher, Selfe, Morashki, and Person\u2019s (2004) work in accumulated and ecological literacies by bringing our attention back to the relationships, living practices, and contexts that are often erased in techno and ecosystemic rhetorics, asking the question, \u201cWhose ecosystem is this anyway?\u201d<\/p>\n By theorizing a social justice approach to ecological literacies, Haas contributes to Selber\u2019s taxonomy of multiliteracies, urging us to become more critical of the discourses of progress and ecological metaphors as we can\u2019t \u201cfunction\u201d with technology unless we consider how that technology and its discursive constructs position its users.\u00a0Invoking Powell (2007), she underscores the idea that \u201caccess is contextualized and contingent and profoundly more complex when considered in practice\u201d (17) and technorhetors can begin to understand those discursive constructions through a decolonial feminist operating system (DFOS) built on parameters of relationality, locational accountability, and responsibility.<\/p>\n Hass\u2019s DFOS fixes many of the \u201cbugs\u201d in the older ecological operating systems by recoding imperialist and hegemonic rhetorics of:<\/p>\n Exploration<\/strong> Considering how indigenous peoples and places have been victimized through exploration, we should ask who has privilege to explore? Who benefits from exploration? What is impact? What kind of damage is done?<\/p>\n Exploitation<\/strong>\u00a0Indigenous people\u2019s land has been historically exploited through land grabs; thus, we should ask whose eco-resources are being taken advantage of? Which agents do we privilege? \u00a0Whose indigenous ecosystems are we supplanting or ignoring?<\/p>\n Environmentalism<\/strong> Non-dominant groups are also victims of land dumps and environmental racism.\u00a0Building on DeVoss’s , McKee\u2019s, and Selfe\u2019s (2009) work with eWaste, we should ask how we are and are not talking about the material violence of technologies. What is the disciplinary landscape of those talking about ecology and how are they grounding discussions in particular environment contexts?<\/p>\n Frontier\/ Pioneerism<\/strong> Frontiers have been places of both slavery and mass genocide– of rape, pillaging, and sexual assault, and pioneering is always already an act of violence.\u00a0When we use these metaphors for talking about digital humanities, we are reifying heteronormativity, ablism, and \u00a0whiteness. Here, Hass offers no lines of inquiry, just a poignant directive. Stop it. Now.<\/p>\n Digital Nativism<\/strong> Smacks of agism and invokes the blood quantum laws enacted to measure and divide native people. This metaphor works to create a divide between \u201cus\u201d (those who are techno-savvy) and \u201cthem\u201d (those who aren\u2019t), and it forces the question of who\u2019s native and who\u2019s not? Who gets to decide? What kinds of \u201ctechnology\u201d are privileged and who gets to own technoliteracy?<\/p>\n Hass\u2019s DFOS prompts us to question the common metaphors we use to talk about digital humanities, to consider their impacts on people\u2019s bodies, and to adopt a way of rhetorically performing ecology that foregrounds geographies of bodies and place.<\/p>\n By calling attention to the definite article the in The Digital Humanities, Legg asserted that digital humanities is too often understood as a straight, ablist, white, male, enterprise– one that reasserts euro-centric heteropatriarchy in digital spaces despite its attempts to engage (read= \u201creach out\u201d) to \u201cothers.\u201d Arguing that the field needs to pay more attention to the intersections of race and digitality, Legg shared her understandings of Cherokee cultural storytelling practices and how engaging those practices could reorient digital spaces around indigenous ways of knowing, doing, and being in a networked world.<\/p>\n <\/p>\n According to Legg, Gagoga, loosely translated as \u201cs\/he is lying,\u201d is a Cherokee storytelling rhetoric that operates on the assumption that knowledge-making is a networked project. Legg identifies stories, places, objects, people, animals, technology, nature, etc. as nodes on a cultural web that contribute collectively to communal knowledge production. In other words, knowledge is not owned or passed down in a linear manner; instead, knowledge is a dynamic instantiation of power that is always in flux as community members engage in living practices of the knowing, as opposed to the known. She introduced the term \u201cinterpretive motion\u201d as a concept that encompasses the ways that knowledge is embodied and remixed through the \u00a0rendering of story in Cherokee oral culture.<\/p>\n Moving into a discussion of storytelling praxis in digital spaces, Legg identified three contexts where multi-sourced stories are interrupting the digital humanities:<\/p>\n The #transformDH tumblr<\/strong>: On this blog, contributors are \u201cdoing race, ethnicity, gender, sexuality, and class in digital humanities\u201d through digital activism such as calling attention to missing and murdered indigenous women and communally sharing mobile apps such as Safe Trek where people can quickly and discretely alert friends, family, and authorities when they are in danger.<\/p>\n The What is Digital Humanities?<\/strong>: This website takes a more direct approach at redefining DH by featuring different crowd-sourced definitions each time the web page is loaded. These definitions are randomly selected from past Digital Humanities Day participants and illustrate the multiplicity of voices that are involved, although not always recognized, in DH work.<\/p>\n A Technical Writing Course<\/strong>: Finally, Legg demonstrated examples from her teaching practice, showing\u00a0how she used a Blackboard social media plug-in called Mixable to engage students in her online technical writing class, working outside of the interface\u2019s \u201cdiscussion\u201d structures to create a place where students could share and connect as people and not just students, introducing\u00a0themselves and engaging others through storytelling.<\/p>\n These instantiations of the digital humanities disrupt the colonial thought structures that gave rise to our understanding of native peoples in terms of traditions, artifacts, and preservation (Cushman, 2013). They cool society\u2019s \u201carchive fever\u201d and reposition people, relationships, and cultural practices as centerpieces of digitality. Each of these participatory spaces, she asserts, IS the digital humanities– living practices that decenter and decolonialize digital spaces.<\/p>\n Stephanie West-Puckett<\/strong> is a digital rhetorician, compositionist, and activist scholar\u2013 engaging digital writing, new media, critical web literacies, and professional communication in K12, university, and community learning environments. She is a faculty member in the English Department and a doctoral student in the Writing, Rhetoric, and Professional Communication program at East Carolina University.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":" Review by Stephanie West-Puckett Read more about session f7\u00a0on the C&W conference site. PANELISTS Angela Haas, Illinois State University Emily Legg,\u00a0Purdue University Gabriela Rios,\u00a0University of Central Florida (unable to attend) The Politics of Our Intellectual Interfaces:\u00a0Revisiting the Technological Metaphors We Live and Think With There\u2019s an update available for your operating system, technorhetors, and Angela<\/p>\n","protected":false},"author":53,"featured_media":9603,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[25],"tags":[61,73,120],"ppma_author":[1220],"class_list":{"0":"post-7240","1":"post","2":"type-post","3":"status-publish","4":"format-standard","5":"has-post-thumbnail","7":"category-2014-cw-reviews","8":"tag-computers-and-writing","9":"tag-decolonial","10":"tag-indigenous-rhetorics"},"authors":[{"term_id":1220,"user_id":53,"is_guest":0,"slug":"stephwp","display_name":"Stephanie West-Puckett","avatar_url":"https:\/\/secure.gravatar.com\/avatar\/310939e9c77b6453c8fc242f213f8119?s=96&d=identicon&r=g","user_url":"","last_name":"West-Puckett","first_name":"Steph","job_title":"","description":"Steph West-Puckett is an assistant professor of Writing and Rhetoric at the University of Rhode Island where she directs the First Year Writing Program. 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\nRead more about session f7<\/a>\u00a0on the C&W conference site.<\/p>\nPANELISTS<\/h3>\n
\nEmily Legg,\u00a0Purdue University
\nGabriela Rios,\u00a0University of Central Florida (unable to attend)<\/p>\nNetworked Knowledge, Digital Spaces:\u00a0Storytelling as Decolonial Methodology<\/h4>\n
Selected Tweets from #cwcon #f7<\/a><\/h4>\n